Two Performances and installation Ses larmes pour la chaise d’orange caché – Collective
Exposition CENTRO70 – GINOLIMMORTALE at Mole Vanvitelliana, Ancona, Italia – August 2016.

Centro70 contemporary art exhibition in the Sala Podesti of the Mole Vanvitelliana in Ancona. The artists of the GINOLIMMORTALE association deal with the cultural heritage of the 1970s, taken as a point of reference and watershed of a way of making and thinking about art to which Marche artists have made a substantial contribution through personalities who have gone on to become international. – newspaper “vivereancona”.

In front of the Pistoletto room inside the Centro 70 exhibition of the Ginolimmortale association, a new opening of the exhibition was held for Ancona Crea. With the performance of Camilla Cerioni inside her installation. While the previous time Cerioni had stripped off and played the double bass, this time she appeared dressed in black, covered from head to toe, only her hands were covered to play the musical instrument. Several people watched with her in the middle of the earth covering the floor. Earth that is the artist’s element, considered thorny, like the cacti on either side of her space. – newspaper “Il Resto del Carlino”, Franca Santinelli.

Black suits the performance. After Cesarini at the Forum in Senigallia, another figure in black (a burqa?) materialised last Saturday at the second ‘Centro 70’ varnishing at the Mole in Ancona, accompanied by the grave notes of a double bass. With the bow or the pizzicato or even with a long pause of silence, Camilla Cerioni knows how to suggest. We take note of this and gladly report it. – the visual culture and art pedagogy researcher, Gabriele Bevilacqua.